Landscapes — Working Method

My landscape-inspired work includes pieces made observing and recording in the moment and work made in the studio using information collected on the spot.

Sitting, working outside in all weathers, the experience becomes embedded in memory.  The drawings made outside provide not only visual information but also trigger recollections of heat or  light or atmosphere: wind, rain and sun. At best, something more of the experiential response to place comes through: an interface where outer experience meets the inner landscapes of the mind.

Paul Klee said "we reveal the reality that is behind visible things...there are many more latent realities". He puts it well, I think.  I find it quite something to aim for: to draw out and communicate the transition from "visible" to "latent" realities.

Landscape subjects suit this process. There is potential here for wholehearted engagement with the elements. I like to work outside on a large sheet of paper pinned to the earth with stones and rocks: in sun or breeze or drifting mist.  It interests me to notice my response to letting rain wash away the image, allowing emergence of fresh possibilities. Once, staying in there, not giving up the process, although I was feeling overwhelmed by heat and flies, drew forth an image with all the richness of a magic Persian carpet.